不良笑花
SL doubles allowance for families of missing_我的网站

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Deutsche Grammophon signed Ju earlier this year. The label has previously worked with well-known Chinese pianists including Li Yundi, Lang Lang and Yuja Wang. Ju's arrival raises a different question: What will younger musicians, trained both in China and the West, bring to classical music?
The album features works by Leoš Janácek, Maurice Ravel and Alexander Scriabin. The physical edition also includes three of Ju's own poems.
The title Mist Without draws on the German idea of Weltschmerz, a feeling of world-weariness, and the Chinese tradition of misty, suggestive poetry. Ju uses wu, the Chinese character for mist, to create a quieter and more reflective mood. The centerpiece of the album is Janácek's piano suite In the Mists.
"Poetry and piano are equal parts of my experiences," Ju said in a recent interview with the Global Times. "When I work on a single note or a phrase at the keyboard, it feels exactly like shaping a sentence - counting the syllables, weighing the rhythm, choosing the words."
For Ju, playing the piano is less a profession than a form of daily discipline. "It is stricter than many formal religions," he said.
Now in his mid-20s, Ju previously studied at the Juilliard School in New York before continuing his training in Germany. His approach, rooted in China yet open to the world, reflects a generation of Chinese musicians increasingly comfortable moving between cultures. For Ju, that movement between cultures is not necessarily something that needs to be explained.
"Culture can be learned," Ju said. He hears a deep kinship between turn-of-the-century France and ancient China: "To me, so much of [Claude] Debussy's late work feels like Tang Dynasty (618-907) poetry."
Western critics have already taken notice of Ju's distinctive style. In a 2024 review of his Carnegie Hall recital, New York Concert Review wrote that he "shines in the magic of the understated, pulling us into his psychological stillness." British critic Jed Distler, writing in Gramophone, praised his sensitive understanding of Janácek's music.
Having grown up navigating multiple languages and later pursuing training abroad, Ju sees cultural boundaries less as barriers than as things to move through.
"Unlike before, we can now present Eastern ideas not as a deliberate statement, but as something entirely natural and self-assured," he said.
Ju does not present Mist Without as a grand statement. "It is simply the first step in creating recordings that carry personal thought rather than polished display," he said.
Asked what AI might bring to classical music, Ju was unequivocal.
"If what you care about is the relationship between music and people, AI cannot provide that," he said. "AI represents the perfection of human intelligence. Art shows human nature - its desires, its light and its darkness. Music is about human imperfection."
。 Colombo, Oct 12 (UNI) The Sri Lankan government has decided to double the one-time allowance paid to the next of kin of missing persons from Rs. 100,000 to Rs. 200,000, it was reported on Wednesday.
A proposal to this effect submitted by Justice, Prison Affairs and Constitutional Reforms Minister Wijeyadasa Rajapakshe was approved by the Cabinet on Monday, the Daily FT newspaper said.
“Considering the long time to obtain the ‘Certificate of Absence’ and given that Rs. 100,000 is inadequate, the Cabinet of Ministers approved to remove the requirement to obtain this certificate provided the Office of Reparations had confirmed that a person is indeed missing, and also to increase the one-time allowance paid to the next of kin from Rs. 100,000 to Rs. 200,000,” an official statement said.
The allowance is paid to families of missing persons based on the ‘Certificate of Absence’ issued for missing persons by the Registrar General. Up until now, families had to present this certificate to the next of kin to obtain the allowance.
Thousands are considered missing in Sri Lanka in the wake long years of a Tamil separatist conflict that ended in 2009.
UNI MR。
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